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NOTES
September 2, 2026

The latest blog post is here, but this time, we’re not talking about art. Let me vent for a little bit, and then we’ll get back to the art crit soon—I promise.
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P.S. I'll be at the Visual Arts Center in Austin for a show this Friday, come check it out and say hi:
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August 31, 2026

Well, it’s been a while since the last post—sorry about that. I’d originally intended for this blog to be a bit more active than it’s been, but fear not: I’m currently putting the finishing touches on my latest ramblings. Expect a new post sometime this week. A few updates for those who may have been out of the loop: we’ve just wrapped up our curatorial fellowship and group exhibition with OfColor and the Library Foundation. The show will remain on view through September 15th. And, if you haven’t already, please give my interview with Ebony Haynes for 032c a read, if you feel so inclined. More soon.
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April 6, 2026

Finding great art today is less about institutions and more about knowing where to look, when to pause, and how to recognize what resonates. The best gallery on earth happens to be the one in your pocket. That recognition stays with you long after you’ve scrolled past. I didn’t find most of my favorite work in galleries or classrooms, but through images shared online, often unexpectedly, usually on Instagram. A single post can stick with you in the same way, quietly shaping how you see and think. Having access to so much work, all the time, is something I don’t take lightly. Being intentional here means trusting your eye and engaging with what genuinely moves you.
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March 27, 2026

I've been getting deeper into my curatorial practice lately — working as a fellow with the city and continuing to plan an exhibition for this summer. In my studies, I've become more interested in merchandise as a vehicle for conversation and engagement. Nothing excites me more than merch and ephemera. From an accessibility standpoint, you can't beat putting the work on someone’s back and letting that shit travel. I keep coming back to the role of the curator as a facilitator of dialogue within a community — not just presenting, but setting conditions for exchange and finding ways for the work to live beyond the gallery. I’ve put some of these thoughts down in writing. It’s all public. Take what’s useful and run with it.
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March 18, 2026

Today's the day — the blog is finally here and online — as you can see from my previous notes, this took longer than expected, but hey, this is a game of atrition not speed babyyyyyy. Anyway, check out the latest three posts and let me know what you think! I'm sure we all know how this internet thing works.

February 27, 2026

Well, here we are. The last day of February. There’s still a ton I wanted to do but didn’t, which could be bad… or maybe it’s fine. I’m not exactly a patient person, so it’ll get done eventually. Speaking of waiting, I finally grabbed some parts to fix a couple of old Sony digicams I’ve had lying around. Planning to use them for some upcoming posts. But now I’m procrastinating on writing because I want the cameras to shoot my own photos instead of grabbing images from the web. I know — it’s “just a blog post” — but I want it to feel personal. Anyway, aiming to have it up by the end of the week.

P.S. check out the new logo:
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January 24, 2026

If you're reading this, it means I've given into the pressure of having a presence online. But this time I wanted to keep it simple. No images, no color, all text. In all honesty, I think I'm a bit tired of the whole, "look at my work" thing. I'm really an ideas guy at heart. like Nico said, I don't do too much talking these days. I'm dying of boredom in corporate America, so this is my Bat-Signal for the creative directors and suits to find me. The term multi-hyphenate gets thrown around a lot these days too, but I really do it all.

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